After dinner, Popeye and Cloudy follow Charnier back to the Westbury Hotel at 69th & Madison. Opened in 1927, the Westbury was a luxury hotel until 1997, when it was converted into condos.

As Charnier heads inside, we get a shot of the lobby…

…which today is a Gucci store.

The next morning, Popeye resumes tailing Charnier.

They pass by the Palm Superette (a superette is an old word for a deli/bodega):

Today, it’s vacant and just waiting for a new luxury client:

Charnier crosses the street at Madison & 68th Street…

Then stops into Ronaldo Maia Flowers at 27 East 67th Street.

Today, it’s a shoe store:

After sneaking out the back entrance, Charnier disappears into a subway station:

This was filmed at the southernmost entrance along Central Park on Fifth Avenue:

Popeye chases him down the passage…

…and through the turnstiles:

Except Charnier didn’t get on the train! Popeye catches sight of him at 60th & Fifth Avenue and takes off running:

Charnier heads down to the Shuttle train platform at Grand Central, and I have one question…

Whose idiotic decision was it to get rid of this custard stand? Are you kidding me??

Unfortunately, Charnier manages to sneak onto the train, and with a snide wave, he disappears.

On the verge of being taken off the case, Popeye meets his captain at the scene of an unrelated car crash and begs to stay on.

This was shot on the Henry Hudson Parkway North at Exit 24 for the Mosholu:

As Popeye heads home, an assassin working with Charnier attempts to shoot him from the roof of his housing project.

This was shot at the the Marlboro Housing Projects at Stillwell Avenue and Avenue W in Gravesend, Brooklyn:

Popeye spots the fleeing assassin, and so begins one of the most famous car chases in film history. The pursuit begins on foot heading south on Stillwell Avenue toward the Bay 50th Street station:

Popeye runs past the intersection of Stillwell and 28th Avenue…

…then books it into the subway station…

…and up the stairs…

…to the south-bound platform:

The only problem: the assassin has boarded a train on the north-bound side! Popeye races back down – note the Valentine’s Day decorations in the store window:

He tries to flag down passing cars, but no one will stop:

Finally, he manages to commandeer a vehicle…

…and the chase begins! Today, John’s Pizzeria and Terry’s Tailor have become Senda Antiques and the Salt & Sea Mission:

In terms of geography, there are a few shots out of order in the chase, like when Popeye bombs past the 25th Street stop…

…only to arrive at that very station several shots later, when he tries to board the train:

But for the most part, it’s a very accurate trip through south Brooklyn following the elevated tracks along Stillwell Ave, 86th Street, and New Utrecht. Sad to see that White Castle has become a PetCo…

Now heading northwest on 86th Street, Popeye passes the Loew’s Oriental Movie Theater on the left, which opened in 1927 with a showing of Beau Geste. It closed in 1995 and today is a Marshall’s.

Popeye nearly hits a woman with a baby carriage as he’s turning north onto New Utrecht Ave…

Finally, the runaway train collides into the next train ahead, and Popeye sees his chance. He pulls over by a service station, today out of business:

He then spots the assassin exiting the 62nd Street subway station:

The assassin attempts to flee, but Popeye shoots him…

…sending him tumbling down the steps.

Their case rejuvenated, Popeye and Cloudy tail the Bocas as they drive down Park Avenue…

Note the modern 101 Park Avenue on the right, which replaced several buildings:

Cloudy follows Boca down East 38th Street…

…and takes a turn into an underground garage, still in business today:

There, he sees Boca pick up a black Lincoln Continental:

Popeye and Cloudy follow the Lincoln to the South Street Seaport area. Man, has this changed…

They turn onto dilapidated Water Street, today lined with expensive residential buildings…

Here’s the reverse up Water Street. Wonder who was smart enough to buy that For Sale building on the left:

Boca leaves the car on Dover Street around the corner. Note how the cinderblocked building on the right has been completely restored (though why remove the fire escapes?):

Apparently, this was a time when you just piled junked cars under the Brooklyn Bridge.

Not so much today:

Popeye and Cloudy stake out the car, waiting for the pick-up to be happen.

After finally taking the car in and dismantling it, they discover heroin packed into the door runners. In the interest of busting all involved, they return the car to Charnier to allow him to continue with his plan. He drives to Wards Island…

…and heads on an old road toward the Hell Gate Bridge.

This road has been replaced by an enormous playing field:

After making the sale, Charnier crosses the bridge to Randalls Island.

The river has since been completely filled in and the road leveled:

At the end of the bridge, Charnier finds the police waiting and quickly pulls a u-turn, heading back toward Wards Island.

At the time, there were a number of abandoned warehouses under Hell Gate Bridge:

Any traces are long gone today.

The same could be said about gritty New York.

Popeye runs into the abandoned building, but Charnier has disappeared…

Hope you’ve enjoyed this trip through the world of The French Connection. If you lived in New York during the early 1970s, I’d love to hear your recollections.

-SCOUT

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  1. Niall Avatar
    Niall

    When you’re in the motormans booth with the assassin, he’s riding the old M line in Ridgewood. The train crashes btwn the Fresh Pond Rd Station and Metroplolitan Ave.

  2. Neil Avatar
    Neil

    Great site. I wonder however, if the images themselves convey a lack of grittiness due to the changes in the technology. I am wondering if the today’s photos were done on a somewhat modern digital camera while the film was on … film. In fact the cinematographer probably chose times, and film stock, and structured his shots to accentuate the “grittiness.” I notice that most of the Manhattan shots were often devoid of shadow while your shots were often bright sunlight.

    For example, take a look at the shots on page 4 in front of the Westbury Hotel. I wonder how that shot today would look on tungsten film shot in the late fall afternoon of a cloudy day. I guess you can simulate that with some digital trickery, but a cheap old 35mm camera with an worn out lens might give the best results.

  3. Alexis Avatar
    Alexis

    Does anyone know what type of factory the final shootout took place? I believe it was on Wards Island. Been driving me nuts

    1. G Breyta Avatar
      G Breyta

      Upon further investigation, I found an old map of Randall’s island in a document called “Historical Perspectives” which is an archaeological documentary study of the shoreline of Randall’s Island. In that document lies an old Key Map of the island which shows the layout of the old reform school on the southern tip of the island near Ward’s Island. One of the buildings labeled #60, was apparently a bake shop/kitchen. I suspect this was the building with the ovens where Gene and Roy search for Frog 1 and end up shooting Muldrig. any other thoughts will be appreciated.

  4. paul Avatar
    paul

    where did they stake out the Lincoln at night?

    Great work btw

  5. Rafe Avatar
    Rafe

    Exceptional research and creativity, Nick! I’m astounded at your accurate and jaw-droppingly detailed work.

  6. F R Nortner Avatar
    F R Nortner

    It appears to have been full of some kind of ovens. The building, now gone, was next to another building connected to a large smokestack, both extant. The oven or furnace fronts are not constructed as crematory retorts are built, nor would they appear to be efficiently charged as incinerators. Nor does the construction appear to be that of boilers. They MIGHT have been used as heaters in some kind of smithing or metalworking operation. I’m still looking to find the answer. If you find out, let us know!

  7. Jim Avatar
    Jim

    NYC was plenty dirty and gritty back then, with trash in the gutters and on sidewalks, but the graffiti craze had not taken hold yet, and there were no plastic bottles and styrofoam containers everywhere, as there are now. I spent many weekends in the city around 1970-72 and remember the sights and smells very well. The construction boom which came later, in the 1980s, changed the look of the city significantly.

  8. Steve Avatar
    Steve

    The address for the bar Cloudy and Popeye raids is 1128 Myrtle Ave. in Brooklyn. It was near the corner of Myrtle and Broadway. It’s a Checkers now. Back then it was Roy’s Bar next to Duplex Bowling operated by Duplex Lane Inc. The beginning of the scene starts with Cloudy and Popeye walking from a bus at 950 Broadway to the bar on 1128 Myrtle, right at the stairs going up to the train station. In the movie it looks like one straight street but it’s actually a corner.

  9. G Breyta Avatar
    G Breyta

    The final scene in The French Connection was shot in the remains of the Randall’s Island Bakery. I haven’t been able to find anything more on the bakery itself or what company operated it. If anybody knows anything about the history or at least when it was in operation, please, any information would be appreciated.